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“I thought you should know
that thanks to you, I am now searching the net to figure out what a Filthy
Sanchez is.”
- Brendan from Los Angeles

“I read Screening Party in one night. Once I started reading it, I
couldn’t put it down. I had to get to the last chapter. I felt I wanted
to pack my bags, come to L.A., move in with Dennis and all his friends and
watch videos. I really did. What I really loved about it is the love of friends
in it. Friends are very rarely written about and they’re the ones who
see us through our lives.”
- Russell T Davies, creator of the original UK Queer as Folk

“I thought of “Hey Barbra!” line
yesterday that made me laugh. Thought I'd share.
Hey Barbra! Larry Kramer is on the phone. He wants to know when you start
shooting THE NORMAL HEART.
A little obscure, I know. See what
you've started? It's sweeping the land.”
- Jonathan Tolins, playwright, Twilight of the Golds

“A few nights later, I attended the release of Dennis "Misadventures
in the 213" Hensley's latest book, "Screening Party". I'll write
more about the book after I read the whole thing (gimme a break - I'm still
unpacking from my summer back east). What I can tell you is that it's about
Dennis and his wacky friends - they get together to watch bad movies (the ones
that are so bad that they're good - like "Glitter" - not the ones
that are so bad that they're bad - like "The English Patient") and
rip them apart. Along the way, they eat, drink, have sex, and rip each other
apart. Welcome to my life, people. Some of Dennis' famous friends dropped in
for the festivities, including Bob Smith, Dirk Shafer, Kevin Williamson, Jack
Plotnick, David Pevsner, moi, and a bunch of other good-looking nobodies. It
was a WeHo party, after all.”
- Billy Masters from his syndicated column Filth.

“This has to be one of the
most entertaining books I have ever read and I am in love with absolutely
everyone of you.
What follows is a punch list of a few of the phrases and concepts which will
become part of my vernacular:
1) Shitheap
2) The definitions of the three major fits
3) Twitchy
4) Spade & Farley
5) Bea-ing
6) St Olaf moments
7) Ho-jack
8) Streisand's desire to sing likened to asking for a
ride to the airport (which I still cannot say without
laughing)
9) Her wardrobe credit in Star is Born being likened
to admitting to farting in an elevator
10) Hoo-Hah
11) Say goodnight fisty
12) The unexplained silver stripe ever present on
Mariah in Glitter
Just a short list... there are many
more.”
- Bryan from New York City

“I had a friend who was an
extra in Cruising, made the year I moved to New York, and he had great stories.
William Friedkin must have one great
porn movie to watch in his spare time from all the cut footage.”
- Larry from New York City

“Your book is hilarious but
I can't believe after all my bitching to you over the years, you still chose
to include the evil trashing of Barbra.
She is our queen. Why can't you accept that?”
- Lifelong Barbra lover John from Los Angeles

“OK, Dennis, your book initiated
a whole filthy conversation with my brother and sister in law. According
to my brother, who is a tattoo artist
in San Francisco (www.everlastingtattoo.com) and has discussed this at length
at tattoo conventions around the world, apparently -- says the Filthy Sanchez
is anal sex with an unclean partner immediately followed by the man taking
his dirty penis and drawing a mustache on his partner before getting it cleaned
up with a blow job.
But no, my brother couldn't leave it there. He rattled off a full list of
other names and disgusting sex acts. The most offensive was, I think, a Donkey
Punch.
And the book on CD is getting me
through my sick days. Thanks!”
- Mark from Los Angeles

“ Reading
your book reminded me of a brush I had with the
foul-mouthed Captain von Trapp, Christopher
Plummer, several years ago:
I was a sophomore in college at
the University of Pittsburgh, and I heard that PBS was filming a show with
Christopher Plummer. Plummer was portraying
Vladimir Nabokov for their "Artists in Residence" series, and Pitt
was standing in for Cornell University, circa 1956. Friends and I were chosen
as extras, to be students in the auditorium listening to this mock lecture.
At one point, Plummer is to walk
up the aisle and address the students. While the shot was being blocked,
it was clear that Plummer was going to walk right
down the row I was sitting in, and have a seat on the edge of my desk. The
shot was run-through several times, and it was obvious that Plummer was running
out of patience. (He muttered "Assholes" several times under his
breath.) I was not the ringleader in this next part - a friend of mine who
was a huge "Sound of Music" fan began to hum "Edelweiss." Soon,
we
all joined in. Why I was singled out I don't know, but the good captain looked
directly at he and said, "Please to Christ, will you shut the fuck up?" My
musical-loving friend was crushed, but since I hate that movie, I had a new
respect for Plummer.
Thanks again for the great time!
I hope "Screening Party" is the
huge success it deserves to be.”
- Rocky from Pittsburgh

“Thoroughly enjoyed THE SCREENING
ROOM -- MAZELTOV --! and I have to insist that you add SUMMER LOVERS to your
future screening list.
SUMMER LOVERS (1982), directed by Randall Kleiser. Darryl Hannah, Peter Gallagher
and an incomprehensible and hence-forth-forgotten French actress in an uninhibted
thong-fest of menage-a-trois bliss in the Greek Islands.
I have the distinct pleasure of
remembering when this movie played the theaters -- and my friends and I approached
the box office after burning down a thick
joint of Sensimillian in the parking lot and uttered the words, "Three
for Summer Lovers, please."
- Doug from Los Angeles

“Here's my own movie story for you: My pal Gina and I went to see "Crossroads" IN
THE THEATRE thank you very much. Before the movie began, we decided to start
naming every plot device they'd use and then give ourselves points throughout
the movie for making correct guesses:
Here's a sample WITH scoring:
1. Opening Scene: Young Britney
writing in a diary - Steve's call. Gina called: Britney sings to someone
else's song - which so happened in the SECOND scene.
(Opening Scene - it was a TIME CAPSULE - damn it all to hell - NO points -
but I wish you were there to see me and Gina turn to each other, so disappointed,
saying LOUDLY, "Time capsule!" at the exact same time).
2. High school graduation. (One point for Steve).
3. At some point in the film, someone would get to a payphone, make the call,
and just as the person on the other end - either an exboyfriend or a parent
- said, "Hello? Helllllooo?," this someone would hang up. (One point
for Steve).
4. Number 3 would happen just moments after this someone "gave up on their
dream" and left the others behind, only to change her mind and rejoin
the gang. (One point for Gina)
5. Makeshift outfits. Reason obscure. (One point for Gina)
6. Kareoke contest - extra credit if Britney is singing backup and lead singer
chickens out, "I can't...I just can't," and Britney has to take the
reigns and sing lead. (One point EACH)
7. "I'm sorry, (insert Mom/Dad), I've got to prove I can make it on my
own" speech. (One point EACH)
8. Abortion. (One point Gina)
9. American dollar stronger in film than in reality - ie: They'll have $40,
but they'll still be able to get that top-floor suite with adjoining alcove
and balconies. (One point Steve)
10. Eating on the floor. (Two points Gina - GOOD CALL, gave her an extra point).
11. Makeovers and/or "Beauty Night!" (One point Gina)
12. Unexpected actor (TWO points Steve - for Dan Akkroyd as Brit's dad - Gina
was very impressed - AND I didn't read any press about it in advance).
13. "I can't run away forever" speech. (One point EACH)
14. Britney makes allusion to Justin Timberlake (Gina's call - judges still
out on this one cause in the promos they CLEARLY show her singing "Bye
Bye Bye" - Gina demands recount).
There's more - too MUCH more - but
you get the idea...”
- Steve from Los Angeles

“As you had Christopher Atkins and Gregory Harrison, my adolescent movie
crush was Hugh O’Brian. Here’s a picture of him when he was filming
Love Has Many Faces. The film was also the last of the great Lana Turner films
of the 60's. It's pure camp, but I love Lana, and the guys are great to look
at...Cliff Robertson too. Rent it sometime and let me know.
- Bill from San Diego

This next note
was about Misadventures in the (213), but it’s still
kinda fun…
Hey, Dennis -
Here I am reading Misadventures at work and get to the chapter where Craig
stumbles onto the Sabrina shrine. I laugh aloud at the line about Melissa Joan
Hart being a cock block. I share this line of dialogue with one of my coworkers
(who overheard me laughing) when who should walk by? Melissa and her mom. See...
my company shares an office building with Melissa's family-operated production
company.
Fortunately, the Harts regard us with that blank if-I-don't-see-them-they-can't-see-me
stare people usually reserve for the crazies and the homeless, so we managed
to avoid a Misadventures-esque moment.
But I thought I'd share. Great book, by the way. Besides getting me to laugh
my ass off, it helped me to realize how badly I want a (pre-fame) Godfrey of
my own... someone to use the McDonald's Playland with me!
- Juan Carlos from Hollywood

Your book reminded me so much of my own friends, and the way we watch TV,
despising it and loving it at the same time. My friend Paul often comes round
to my house and we watch episodes of soaps that we made together, and we cry
laughing until three in the morning, unable to believe that we got away with
it for so long. (I invented a soap called Revelations back in '95, and it has
to be seen to be believed. The episode where the philandering Bishop murders
his pregnant mistress by pushing her downstairs is truly a camp classic. The
aforementioned Bishop also had a bisexual heroin-addict son, a nymphomaniac
daughter, and a lesbian vicar on his staff. It was two years of joy, I tell
you, joy.)
My favourite screening-party-type
thing is to sit in the cinema after a film has finished, and if it hasn't
got a Whitney Houston/Mariah Carey ballad over
the end credits, then I make one up. The more serious the film, the better.
Gods And Monsters was my favourite, it went something like "Gods and monsters/Are
only in your mind/But if God was real/He'd make the monsters kind." Oh,
maybe you had to be there. But that's what your novel tapped into, the fun
and passion for that stuff. People talk about inventing interactive TV and
interactive drama - don't they realise it's *already* interactive?! No one
sits there passively, we all join in, and that's why I think the book will
strike a chord with everyone. Plus, as I said, its celebration of friendship
is a rare and lovely thing.
I thought of you a while back when
a friend and I sat down on a Sunday afternoon and had a Screening Party of
our very own, watching The Poseidon Adventure.
Deep joy. At one point, they're arguing about whether to escape from the ballroom
by climbing up the Christmas tree (of course!) or staying put (fools!); Gene
Hackman says climb, the purser says stay, and at one point in the background,
a woman shouts out, "The purser's right!" I'm mildly obsessed with
that woman, now. Imagine being the woman whose career consisted solely of saying "The
purser's right!" in The Poseidon Adventure. D'you think her friends got
her to do it at parties? Imagine, she took her mum and dad and kids and husband
and neighbours to the cinema, just so they could see her saying "The purser's
right!" She could still be alive. Dennis, find her for me.”
- Russell from Manchester, UK

“Thanks for your reading last
night at the LGBT Center in NYC. Maev and I spent the rest of the night reliving
Flashdance and the Gregory Harrison
oeuvre and giggling like schoolgirls. I swear I will never think of Chapstick
in the same way ever again. I'll stick to my little tub of Carmex.”
- C. Brian from New York City

“Here's a recommendation for your follow-up book...'Falling In Love'.
The movie with Meryl Streep & Robert de Niro. It's not a film that would
immediately come to mind, I'm sure...but it's hilarious to watch with funny
friends.
Also, back in the '70's, Joan Collins
made two sexy (in fact they were soft porn, as far as I'm concerned) movies...one
was entitled The Stud & the
follow on was called 'The Bitch'...Joan gets fucked in a stalled elevator & on
a moving swing...ALSO, more importantly: JOAN DANCES!”
- Peter from London

“I just wanted to tell you how HILARIOUS you book was. I love "Showgirls" and
Denise Richards too! (is there anything better than "Drop Dead Gorgeous" & "Wild
Things" when your feeling a little blue?)”
- Scott from USA

“Bizarre coincidence, but I've also been hosting one of these for the
past few months. It sort of started as an accident. I had a birthday party
a while back that kind of degenerated into a double feature of Coffy and an
episode of the Brady Bunch Variety Hour. I've sort of moved into screening
only 70s TV movies. This past weekend we had a Linda Purl double feature- Black
Market Babies and Little Ladies of the Night. I'm a sucker for anything with
a "special guest star".
- Kieran from USA

“Like you, I was obsessed with The
Poseidon Adventure as a child and
I would always wonder how I would escape from a building, like say the Astrodome,
if it were suddenly turned upside down. I’d stare at the ceiling and
try to figure my path out. We had a half-finished basement where I grew up,
and I actually nailed some old furniture to the unfinished ceiling so I could
hang from it, like Pamela Sue Martin. I also used to take old boxes and make
the dining room sets out of them...I'd spend hours cutting out little tables,
little plates, little pianos, only to spend more hours flipping the damn thing
upside down. Over and over. I was a lonely child.”
- Dave from Los Angeles

“Lately, it seems I can't
watch a really bad movie without thinking of you and imagining how it would
fit into Screening Party 2 (or perhaps the
TV show?) Here are some that I've been thinking that you really need to check
out:
The Bride -- I love Sting and will watch him do anything so I ordered up The
Bride on my TiVO. Have you seen this? It's an 80s take on The Bride of Frankenstein
with Jennifer Beals (!) as the bride and Sting as Dr. F. Unbelievably, unimaginably
bad! It suffers from my favorite period piece foible -- letting the fashion
of the time in which the film is being made seep into the costume, makeup and
hair styling choices. Literally, J. Beals hair when she comes to life is just
a big 80s poof. It's actually coiffed to look like she's the bad cheerleader
who just tumbled out of the backseat of her boyfriends' 86 K Car -- big, aqua-netted
sex hair. And there's a great scene where Jen and Sting are at a big, fancy
soiree (maybe New Years? can't remember) and suddenly a ton of glitter is dropped
from the ceiling on all the guests. The glitter coats everything. I mean, there's
so much that it's like when Peter Brady just dumped the whole carton of white
cornflakes on the family when filming the Pilgrim movie in the backyard. I'm
convinced that 50 extras died instantly of suffocation as soon as the glitter
hit the air. But, doesn't our Ms. Beals look so glamrific 80s with the silver
dust coating her huge eyebrows? Absolutely. Sadly the Sting/Jen storyline is
pretty stultifying (the bad acting provides plenty of entertainment though)
but there is a subplot that is so ludicrous that you actually wonder if you're
on Candid Camera as you watch it. I was wishing for a hidden intruder in my
house -- practically looking underneath my couch and in my closet -- for undying
want of anyone to exchange disbelieving glances with. You see, Sting creates
Jen so that the male monster he created previously can have a companion. Well,
once Sting sets his eyes on Jen there's no way he can bare to share her with
anyone else. (The gyrations she performs while being electrocuted to life on
the slab put the Flashdance chair dance to shame. And she does it all herself!)
So, the male monster gets mad and leaves town. He ends up hooking up with a
little person who is walking to Budapest (I think) to join the circus. Needless
to say, the male monster would be perfect for the circus and being that he
barely can speak or feed himself, he hooks up with the little guy. The hijinks
that ensue as these two fools try to navigate life as circus folk is more than
I can even begin to explain here. The best part is that the little guy is full
of wisdom that he's always imparting to the monster about why learning to love
himself is the greatest love of all. The weird part is that the subplot is
the only part of the story that goes anywhere. The Sting/J. Beals part just
meanders along (with nary a sex scene, by the unfreakinbelievable way) while
our circus friends are left to carry the whole movie. I'll stop here but really,
you need to check it out.
Secondly, I rented a cabin for the
weekend with some friends a couple of weeks ago and found myself in a full-on
Screening Party type Disbelief Fest while
watching an edited-for-TV version of Disclosure starring the still-sleazy Michael
Douglas and freshly implanted Demi Moore. You've seen this one, right? I thought
it was bad when I rented it as a new release. I had no idea how poorly it would
age. The "high-tech" plotline is so absurd and embarrassing that
I can't even believe Michael Douglas hasn't ordered all copies destroyed. I
can see all of the writers sitting around thinking, "Gee, what is the
business application for virtual reality?" Um, there isn't one! I suppose
hindsight vision is 20/20 but I fail to comprehend how a virtual database made
sense even in1992. "It'll be great! Instead of getting up from your desk
and walking into a file room to get a file from the file cabinet, you can put
on this virtual reality mask and gloves and pantomime going into a file room
and retrieving a folder from a file cabinet!" EMBARASSING! Not to mention,
the entire sexual harassment plotline, Michael Douglas's corporate mullet,
his excruciatingly bland and mannish wife, Demi Moore being simply unlikable
in every way imaginable. This one is just begging to be picked apart. I swear,
it's the only reason it was even made.
Okay, it felt really good to rant
like that!”
- Jennifer from Pittsburgh


“I literally just finished
reading your book after picking it up last night. I couldn't get enough of
it. It's 8 a.m. in Manhattan right now and
I haven't slept. By the time I finished, I wanted to hang out with you guys.
I also loved the "St. Elmo's Fire" chapter. I'm 25 and I recently
rediscovered the movie and even gave it to my writing partner as a gag gift
one Christmas. I was hoping you would've shed some light on the obnoxious "A
bulla-bulla-bulla oh-oh-oh!" thing but I guess we'll have to wait for
the DVD. (Yeah, like I'm gonna blow perfectly good Pez money for digital sound
and clearer picture of Ally Sheedy as Prince Valiant and Demi Moore riding
the jukebox like Kirstie Alley on X).
You have to expand this into a series.
And next time please, PLEASE include "Showgirls." You
could probably write an entire book. "Deconstructing G-Strings" or
something like that. I am also obsessed with the audacious Verhoeven/Esterhas
pairings and "Showgirls" is now my all-time favorite film (I'm weird
that way).
I found myself
watching it and studying it. With such a large cast, I was able to go back
each time and focus on a different lead character and/or extra and
ponder: What the hell is going through their mind while reciting this piece-of-shit
dialogue? I'm eager to know what you and your colleagues think as well, 'cause
for the life of me that Henrietta chick with the "boob dress" was
the most frightening thing I've ever seen on film.
As I read your book, I thought of
friends and fellow aspiring screenwriters I'm acquainted with who would definitely
get a kick out of the book. We too
attended a screening of "Glitter" probably around the same date you
guys went, because the 11th was still fresh on everyone's minds and the words "Mariah
Carey's
starring role" was just the thing to lift our spirits for a little while.
I always thought Dice reminded me of Stephen Dorff from "Blade." I
also thought he was the only salvageable character in the movie and they mercilessly
took him out in the end. The marimba scene I will never understand. I agree
that Sylk and Ann Magnuson should solve mysteries in the sequel, though.
Stay cool and keep watching those
shitheaps.”
- Brian from New York
P.S. - The Jeanne Tripplehorn "mustache" comments
have
officially ruined "Basic Instinct" for me.
That's so wrong. :)

“I LOVED your book Screening
Room! I couldn't put it down. I read the entire thing in one day - but I
haven't read Glitter yet - because I feel like
I'm going to be leaving a group of friends and never hear from them again.
Alas, I think I'll have to say goodbye to everyone tonight.
By the way, I have a huge moral
problem with The Lord of the Rings. It's a 12 hour epic about a gaggle of
goblins or hoblits or whateverthefuck and they
have to destroy a ring. And there are rumors that two of them are gay. Froda
and Sean Astin. They are so obviously straight. For no gay man would EVER destroy
an accessory. Especially if it's inscribed.”
- Chad from Los Angeles, part 1
“I finally read Glitter and
had to say goodbye to everyone. A bunch of my friends from Crossing Jordan went to watch Glitter and we had about the
same experience. Though most of the audience at Universal got up and left.
Glitter made Crossroads look like
Schindler's List. Actually, Swept Away made Glitter look like Schindler's
List. I wish they would remake "The Women" with
Brit, Mariah, and Madonna. Hopefully a role could be found for Elizabeth Berkley.”
- Chad from Los Angeles, part 2

“Oh by the way I listened
to the commentary on my COYOTE UGLY (note: caps!) Kinda funny... I love Maria
Bello thanking Jerry Bruckheimer for good
womens roles.... that was from the heart, and not a ploy to have her own major
starring vehicle ala Jerry! (Good womens roles...aren't they all skanks???)”
- Dan from Australia

“
I just finished reading your book, The Screening Party, and I had to tell you
how much I enjoyed your movie review parties! My favorite chapter was "Glitter",
mostly because it was such a relief to find out that I wasn't the only queer
in America who came up with the idea to have friends sit around for a good
wallow in it's mysterious Mariah Scarey-ness. Unfortunately, our local theatres
(we live in Toledo, Ohio) did not share our opinion on the cinematic importance
of Ms. Carey's Herculean thespian efforts. As a result, we had to wait for
video, but oh god, was it worth it. (As an aside, it was also pleasing to know
that someone else noticed the mystery of the moving side pony-tail. What a
relief! I thought some one spiked the cocktails with acid or something...)
By the way, were you aware that
esteemed star of the stage and screen Lesley Ann Warren recently mentioned
on the Wayne Brady Show that "A Night in
Heaven" is the one movie that she doesn't list on her resume and regrets
making. She mentioned the title of the movie during her interview segment and
stated emphatically that no one saw it, although many members of the studio
audience loudly disagreed with applause. "You're all lying," she
said, but we just think that they all read your book. On a side note, video
rentals for "A Night in Heaven" tripled after her television appearance.
(Just kidding, sort of.)
Well, I have to go now because Donna
Summer's "On The Radio" just
came on the cable music service and I have to go and turn on the mirrored disco
ball in the living room. Thanks for letting us all into your living room.”
- Ed and John from Toledo

“I read the Sound
of Music essay to an old boyfriend this morning and he was tearing up he was laughing
so hard. I also had to confess to him that
I actually had a slight victory in reading your book. I always thought I was
the only person in the world OTHER than Cybil that owned her classic jazz cd...
Which this frmr-boyfriend used to bring up as evidence every time I said that
I had good taste in music. Thankfully, you fell for that same CD. Didn't she
have two?
On the Whitney note, I think they
should play that show live in all airports and gay bars when Whitney is on
Diane. She's going to fall apart. I love those
spoofs of her on Mad TV. It's hard to separate the real Whitney from the sketches
in my mind now. After the show they could have the woman from Mad TV come and
do fake out-takes of Mrs. Brown stumbling through "My name is not Susan.
I don't know what the hell it is, but it's not Susan" could be her first
number.
- Jim from Washington, DC

“A funny thing happened about
half way through your book, right about in the middle of the 9 1/2 Weeks review, so right at 4.75 weeks. I started
to noticed that the ink the book was pretty strong and making me sick. Really,
I would get a headache every time I started to read more than 10 pages or so.
It was a moldy kind of smell. Has this happened to anyone else? Is it just
me? Am I just a sensitive guy? So, I finished the rest of the book(as much
as I could) with my head outside my apartment window and then lent it to a
friend.
- Ken from Chicago

“I just bought the cd version of screening party in atlanta yesterday
and listened to it all the way home to southeast ga last night....great stuff....laughed
my ass off and had to keep rewinding to hear it again....overheated my damn
cd player but it was worth it... i particularly think the references to obscure
70's and 80's movie and tv factoids to be one of the best parts in all your
work....when i saw the "shields and yarnell" bit in evie harris i
thought about that damn show all day long....and then when you had "for
ladies only" on the screening room cd that was another great time in my
life....shit....gregory harrison was HOT as fucking hell....i also liked that
hunky guy with the mustache on "flamingo road"....morgan fairchild
was one lucky bitch..<g>.....i am going to start my own screening room
parties here in southeast ga and see if i can't get something printed in "field
and stream"....
thanks for the laughs.”
- Kevin from Georgia

“Can I just say that a friend
gave me your book 'Screening Party' for my birthday last week, and it actually
hurt my throat I was laughing so much.
Judi Dench as a kleptomaniac, shagging Ally Sheedy is like shagging an armchair,
and the Sean Connery / Pierce Brosnan bubble in the avalanche comparison -
wonderful!
If you could review 'Romancing The Stone' - my favourite film, for reasons
I don't even understand, it would be a wonderful thing.
Please don't let your friend shit
in my letter box, I have been nothing but complementary, and I maintain that
Rutherford Shelton is a ridiculous made-up
name, nobody in England is called that, and I know somebody called Rufus, so
I should know.”
- Louise from London

“Last week I was browsing---oh, have it your way, cruising---the film
section of "world-famous Powell's Books" (as its ads never tire of
reminding us) here in Granolaville (aka Portland) when I came across this bootylicious
slice of Gen-Y heaven, locked in what those French-fried deconstruction types
call a "readerly embrace" with Screening Party. Actually, "embrace" doesn't
quite say it: given the kid's slightly crazed smile and rapidly glazing eyes,
he was obviously getting ready to cop a literary nut that could have outgushered
Old Faithful. What was that crack that Roland Barthes, the late frog prince
of pretentiousness, always made about "the pleasures of the text" being
not unlike getting yr freak on? Fuck if I know, but whatever, Hensley, you
Svengalian perv: mindwise, Jr. Mints here was clearly frolicking wantonly through
some v.r. playroom of your depraved making and would no doubt have reenacted
every frame of the entire Bel Ami catalogue at the flick of your decadent little
pinkie had I not staged an emergency intervention, thrusting myself into the
middle of this Hensley-induced humpfest with a display of Coward-ly wit: "Um,
good book?" This recklessly inventive bon mot elicited a faintly irritated "Uh,
yeah" rather than the sparkling riposte I had hoped for. A moment later,
though still dazed, little Mr. Chewable he managed a few more semi-coherent
syllables: "It's really. . .funny, you know?"
"Actually, no." Which
was true--then. But---long histoire short---I ended up taking home your leetle
opus instead of Junior Mints.
Which turned out to be a pretty
good trade-off, since Junior Mints was right: Screening Party is funny. Very.
In fact, Screening Party is the funniest book
I've read since. . .well, Misadventures in the (213). (Yes, after recovering
from J.M.'s premature bailing---although mentally I'd already given us a week,
tops---I actually managed to register the author's name on the cover of Party
and deja-vued on the spot: "Oh, yeah: him." "Him" being "you." "You" being
one of the reasons my ex probably dumped me several years back because I insisted
on reading Misadventures in bed late at night and kept waking the poor guy
up with repeated explosions of laughter----as loud as they were irrepressible---whenever
one of your jaundiced takes on the freaklore of Glitter City (where I also
did time as a humble scrivener) produced some long-repressed but delighted
shock of recognition.
Screening Party is even better,
and I plan to make it mandatory reading for the Gay Men's Filmtalk group
I facilitate here. Although the group spends a
lot of time bitching and moaning about some of the lesser flix we slate for
review, they've clearly never learned your secret: namely, that bad movies
can be as big a source of fun as good ones. But that's because Portland---despite
its unearned reputation for "livability" (the criteria for which
apparently excludes anything as vulgar as a sense of humor)---is a repressed
and repressive backwater that is almost pathologically afraid of violating
its sense of itself as a refuge for civilized Quiet Good Taste. Hereabouts,
your hilarious running commentary on Glitter would probably have landed you
an overnight in our hideously expensive slammer---sorry, detention center----on
some public-nuisance charge, and I regret to say that too many of the home
showings we've organized have been attended by the likes of that bowel-bound
snobbyboots Tad at your Basic Instinct screening.
But what I love about the book is
that it's not only often full-on hysterical---it's also smart. It has a genius
grasp of the cat's cradle of competing and often
contradictory forces that make for the pleasures and absurdities of movies
(and the movie business) in particular and pop culture generally. But the book
doesn't lay on its clearly hard-won sophistication with Tad-ish solemnity.
The seemingly throwaway wit of Dr. Beaverman's comparison of Whitney Houston's
hair in The Bodyguard to a tricornered hat and her remark that "I keep
waiting for her to cross the Delaware" is actually not only a startling
act of attention---it takes a fairly sophisticated visual sense to produce
that kind of simile---it's also a rather bold example of the historical imagination
at wok. But I'd better stop now before I lapse into more Tadisms. Enough to
say the book was a hoot and a half , and I'm looking forward to your next.”
- A Super Funny Guy from Portland

“I found myself reading your
book much more slowly than I normally do because I did not want the book
to be over. I found myself aching to be a part
of your group, a longing equaled only by the time when Jeremy Gelbawks was
leaving THE PARTRIDGE FAMILY and I just knew that if only my obviously blind
parents could see the bundle of talent standing before them they would realize
that they just had to take me to LA so I could be the newest Partridge! Alas,
their vision remained impaired and to this day I cannot hear the name Brian
Foster without being filled with absolute jealousy and certainty that had I
been in LA, he would never have seen a drum set.
Anyway, I hope you are busily meeting and prepping the sequel. Remember: you
need a higher body count! And I hope you will not overlook such gems as VALLEY
OF THE DOLLS, SHOWGIRLS and something from the John Hughes oeuvre.
I also am a writer and have a column on the net @www.theglamorouslife. net.
It is a serial about a fictional
Broadway touring company- think "Tales
of the City" crossed with "Waiting For Guffman." Oh! What about "CAN'T
STOP THE MUSIC" for a viewing of your club?”
- Scott from New York

“I enjoyed Screening Party
for the obvious reasons (slamming/ celebrating movies we love for the wrong
reasons) but also loved it because it is also
a testament to friendship. You guys really like each other despite your different
views and backrounds.
Its refreshing. Living as a big ol' homo in the post-irony age, I sometimes
find it hard to admit that I love the things I love (Mama's Family,
Sextette, , figure skating, etc....you get the picture).
Again, let me congratulate you on the book and on knowing good friends when
you find them. They are to be treasured.
- Scott from Who Knows Where
PS- Whenever I see "Sound of Music",
I think of Maya Angelou. Heres why. During the wedding scene I can't help
but think that had she seen this
movie first, we would all be talking about her opus "I Know Why the Caged
Nun Sings".

Had Screening Party imported here to Switzerland and couldn't put it down.
Three comments.
Comments:
1. It's Fahrvergnügen - only mention it 'cause it's the one really useful
thing I've learned in my "German for Foreigners" class.
2. Your "Bodyguard" story touched me so deeply. I read it on Saturday
night right before I went out, and immediately after I realized I was singing
the Whitney Houston version of "I Will Always Love You" out loud
while I waited for the tram on a public street – which is unusual because
I usually sing one of Dolly's versions.
3. I think I am in love with Dr. Beaverman. But then I suppose everyone is.
- Steve from Switzerland
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